Gloomy Retrospective

"Daria" is a strange piece of pop culture, and not because it's a female-led animated series, or the fact that it's an offshot of the popular and slightly more superior satire "Beavis and Butthead"; no, the strangeness lies in the mix of snark, satire, and sentimentality that the show provides, coming off more as a prototype for future shows like "Freaks and Geeks" or "Bojack Horseman" or "You're the Worst" in its strange willingness to cut through the irony and into the real emotions of all its characters, whether they're sympathetic, or just plain stupid. The thing about "Daria" is that it's a very '90s creation, what with its emotionally-detached main character whose quips are quick and her face stoic as if her ever-present frown was plastered by sculptors from her depressing past. Though she's an anti-social intellectual with a penchant for mockery, she's doesn't have low self-este...

So, last week, I heard the theme song of "Dawson's Creek" on the radio, and the fact that I identified it as such is weird because I've never seen "Dawson's Creek" in my entire life. So, in a state of inebriated depression, I decided to watch the first season to see why it's so lodged in my brain. Spoiler alert: it's not a positive review. "Dawson's Creek" is a 1997-2003 television series created by Kevin Williamson (the writer of the first two Scream movies) about Dawson Leery, played by James Van Der Beek, an aspiring filmmaker who's torn between his long-time best friend Joey Potter, played by Katie Holmes, and the new kid on the block Jen Lindley, played by Michelle Williams. And somewhere along this love triangle, it's supposed to do three things: 1) Be an exploration of teen tropes in film and television, 2) Be subversive and self-aware in the application of these tropes, and 3) Still retain the teen audience...

Seeing as TBA Studios has uploaded a copy of one of the best film they've ever made, let me share a few words about it. I'm Drunk, I Love You is a JP Habac film about two college students faced with graduation and an uncertain future. As a last hurrah, they go to this music festival days before their graduation ceremony to drink, listen to music, and deal with bubbling emotions deep underneath themselves that have been festering for seven years between the two leads. This movie is delightful, but that may only be just me. These are characters that I can relate to very closely, seeing as, like Carson and Dio, I'm also a snobby, music-and-film-loving college student held back for close to seven years with an uncertain future ahead. I also had a few friends whom, like Carson, I had a similar dynamic to; we used to go out and drink and revel in our unity, uncertain futures, and unresolved tension until we each found someone else that was willing to go out and date us inst...

I think I'm too old for this. I think I'm too old for most things, really, like existing or being alive, but right now, I feel too old to understand and empathize with Kanye West's public persona. Let's go back to two years ago, when Kanye West brought back G.O.O.D. Fridays and became basically a mainstay at Twitter with his incoherent tweets like "Ima fix wolves" and his pissy fight with Taylor Swift that no one except the two parties cared about. Was the music we got from that worth it? There's a lot of argument that, for the most part, The Life of Pablo (TLOP) is an incoherent mess that still somehow shows the genius of Kanye West by acting like a snapshot of his thoughts and ambitions at the time; others, a very vocal minority, says that these people are just riding Kanye's dick too hard and TLOP is just a mess. Personally, I straddle the fence on this: yes, the album is pretty good at points, but the publicity for it is exhaust...